Philip (Giorgos Constantinou), a shy and dignified accountant and English teacher, lives with his mother (Zoli Garbi) and his two siblings in the same house. His and his mother's meager income, just enough to support them all. His younger brother (Alekos Tzanetakos) remains unemployed and lazy rather out of conscience, while his older brother, Kimon (Orpheus Zachos), dreams of being re-elected prefect and refuses, although a qualified accountant, to work, considering the positions demeaning and irrelevant offered to him. His tragic financial situation will be further burdened by their imminent forced move to another house. It is also the first color Greek film, edited entirely in Greece. It is based on the play "The 6th American Fleet" by Alek Sakellarios and Christos Giannakopoulos, who also wrote the screenplay, while Sakellarios directed the film.
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
