We Were” follows David from childhood to adulthood, tracing relationships and moments across three stages of his life. In 2007, a young David forms a sweet summer camp bond with Janelle, saving mementos from their camp days together in his memory box. As the years pass, David experiences first love with his high school sweetheart, Amy, and eventually navigates heartbreak and the complexities of adult relationships with Mia. Throughout, David adds to his memory box, collecting tokens from his past — symbols of how love, although fickle, will always find a way back into his life again.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
Mohit Suri’s Saiyaara (2025) is a soulful musical romance led by fresh faces Ahaan Panday and Aneet Padda. A heartfelt tale of love, grief, and emotional healing that’s taking the Indian box office by storm.
Life may find a way, but is it worth testing its fierceness and how far it will go?
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
