'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.

The struggles of the world’s Jewish people over the course of several centuries are expressed and explored through the music they inspired in this documentary from the BBC and Opus Arte. We Want the Light brings together harrowing tales from Holocaust survivors with performances of music by such legendary composers as Mahler, Bach, Mendelssohn, and Brahms. Interviews with: Alice Sommer Herz, Jacques Stroumsa, Evgeny Kissin, Vladimir Ashkenazy, Zubin Mehta, Itzhak Perlman, Pinchas Zukerman, Toby Perlman, Michael Haas, Elyakim Ha’etzni, Norman Lebrecht, Margaret Brearley, Paul Lawrence Rose, Daniel Barenboim, Yirmiyahu Yovel, Uri Toeplitz & Anita Lasker-Wallfisch. Featuring: Gürzenich-Orchester Köln, Cologne Cathedral Children’s Choir & Cologne Opera Chorus.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary