“Concrete Cowboy” (2021) Review: An Endangered and Unknown Subculture
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.

In We Are the Audience, people who stutter question how the world sees them and advocate for how they wish to be seen. Blending documentary intimacy with cinematic craft, this film offers a rare portrayal of a group of people who stutter as together they conceive a new future for dysfluent voices. The film is co-created in partnership with the stuttering community through doctoral participatory action research, and features a score by a composer who stutters. It reflects on identity, belonging, and the quiet but powerful influence of what we place on screen. We Are the Audience invites viewers to listen, and imagine what’s possible when we decide to create change.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.
Only time will tell what this new Black Panther and movie will show us with all of the old and new elements of the superhero craft integrated.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.