No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

We Are Not Familiar With a Generation That Has No Understanding of Sadness constructs a narrative around the artists’ fundamental research on the mimeograph. By using significant political texts and transcripts from history as a reference point, against this historical background, they reflect upon the contemporary situation in Türkiye. In affinity with previous generations, who are saddened by the perished dreams and ideals, they search for agency under despotism—attempting to negotiate their elusive position between two extremes of utopian escapism and revolutionary struggle as recourse to estrangement.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
The story of the loss of innocence of the young prey who has been maimed by the predator. *Trigger Warning, sexual abuse and assault is discussed in this short film.
'Bros' is a must-watch for October's LGBTQIA+ History Month and it's as good a rom-com as any! Don't let box office numbers or misguided reviews deter you from this great film.
Season 1 of Love, Victor ended on a major cliffhanger: Victor came out to his parents. He said the words “I’m gay” for the first time. Now what? Season 2 answers the question: “What happens after coming out?”
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.