The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

We made this short film under lockdown conditions throughout the pandemic of Covid-19. The film argues that policies are not enough to prevent a future outbreak. We need a paradigm shift in how we view nature and the rest of life on this planet. The film was made remotely via zoom, a fact made clear in the style of the film. Our speakers appear on screens, which we filmed from inside our homes. Each speaker offers a different perspective on the origins of the pandemic in the ways we see and value nature. If humans can’t escape their connection to the natural world, it’s time for a better one. The health of us and the planet depends on it.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.