Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Former fashion photographer Randall Harris debuts with this gritty drama about justice and redemption in rural Georgia during the Great Depression. Jesse Banks Rhodes (Harry Connick, Jr.) is suddenly and inexplicably released from jail after serving part of a life sentence on a trumped up charge for murder. He heads back for Georgia to reclaim his life and finds himself staying with farmer Ben Alexander (Pete Postlethwaite). Initially, Ben's family is mistrustful of the ex-con, but slowly they begin to warm to him, particularly Ben's fragile daughter Wesley (Patricia Clarkson). After witnessing the murder of a black worker at the hands of his drunken white racist boss, Jesse vows to make things right.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.