Trans Allegories in Film: 'Shrek' (2001)
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.

Interweaving fact, folklore, fiction, religion, and lies, Wayne County Ramblin' seeks to reveal its' landscape as part of a great creole nation. It is at heart a road movie that travels south, in the opposite direction of the historical great migration of African-Americans. The story centers around young European-Americans Penny & her boyfriend Johnny, who leave Detroit in search of Penny's long-lost Grandfather, Simon, who is believed to be now-retired and living in his native Mississippi. Mugged and tied-up by the side of the road, they meet Jim, also from Michigan, heading to Mississippi on college break to chase the ghost of William Faulkner. Jim initially appears a fortunate opportunity to achieve their goal but sexual tensions and insecurities quickly cloud and threaten their destinations. But even if they are not aware of it, these three young Americans' lives are being directed by three west-African spirits, who are leading them to a better sense of who they really are.
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. The film 'Shrek' can be interpreted as a transgender story.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
"Thunder Road" presents the grief that comes from a family member taking their own life.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.