Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
W.A.S.P. | Live at the Lyceum, London poster

W.A.S.P. | Live at the Lyceum, London (1984)

In September and October of 1984, within weeks of the release of their self-titled debut album, W.A.S.P. undertook their first headline World Tour, taking them to England, Europe, and Japan. This Video was shot at London's famous Lyceum on Monday, September 24, 1984, in front of a capacity crowd.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In September and October of 1984, within weeks of the release of their self-titled debut album, W.A.S.P. undertook their first headline World Tour, taking them to England, Europe, and Japan. This Video was shot at London's famous Lyceum on Monday, September 24, 1984, in front of a capacity crowd.

Rating:NR
Genre:Music
Directed By:Derek Burbidge
Written By:
In Theaters:9/24/1984
Box Office:

Runtime:57 minutes
Studio:EMI

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger

Amazon Prime's Pretty Lethal: Makes No Sense, Is No Fun

I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before. 

Jo Moses