A feature-length pilot film for a proposed NBC series, War Stories is set in a battle-torn Middle Eastern country that is obviously Uzbekistan (but not identified as such). Cynical, hard-as-nails American war correspondent Ben Dansmore (Jeff Goldblum) balks at being assigned a new photographer/partner so soon after the newcomer's predecessor (who happened to be Ben's best friend) was literally blown to bits while covering a hot story. "There's no such thing as truth; that's why they call them stories." That is Ben's philosophy, one that he hopes to impart to idealistic young Nora Stone (Lake Bell). But Nora, whose sister died in the terrorist attacks of September 11, refuses to be as cold and dispassionate as Ben. It takes a series of near-death experiences dodging bullets and fanatical rebels for Ben and Nora to find the common ground so necessary to their future teamwork.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
The 92nd Academy Awards had many strong contenders for best animated short. But which Oscar nominated short wins for diversity and inclusion?
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
