Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

An auto repairman's daughter questions him about what happened to her aunt during the war, but the father remains reticent. Finally the man opens up, and the girl is able to piece together her aunt's tragic story.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.
Marvel’s animated show What If...? ended last week, so let’s go back and look at all of the different universes shown and rank each episode from worst to best!
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
A family drama is woven with quiet yet powerful forces of words and nature.