“His Girl Friday”: Howard Hawks Softened A Political Satire Into A Proto-Feminist Romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

On a cold winter night, a taxi driver helps a young couple look for a love motel around Santiago Centro. As the search is prolonged into the early morning, the tedium of the situation pushes them to reconsider what they are searching, and what they ultimately want.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Based on the best-selling novel by Angie Thomas and a maxim of the late Tupac Shakur.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?