Hyun-jun, an ordinary postman, is mistakenly arrested as a wanted criminal due to his identical appearance to fugitive Choi Cheol-gu. While struggling to prove his innocence, the real Cheol-gu escapes prison and flees to Taiwan. When Hyun-jun travels there on a reward trip, he is once again mistaken for the criminal and even kidnapped, only to be rescued by tough detective Woo-hee and her partner. As repeated mix-ups lead to comedic chaos, Hyun-jun and Woo-hee grow closer and ultimately team up to catch the real fugitive together.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
Personalities clash and tempers fume in a family-run Chicago restaurant
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
The Franke kids seemingly lived a normal life, until their mom met the infamous Jodi Hilderbrandt.
The movie makes it abundantly clear that Meeka becoming an official heir is the most likely going to happen. But if you are expecting to see a movie about Meeka’s perseverance and eventual ascent to the throne, prepare to be deeply disappointed.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
