"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

After a string of abusive relationships, Wanda abandons her family and seeks solace in the company of a petty criminal.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
'Air' is a fun film about a company that put it all on the line for a 22 year old kid from North Carolina