Wall Wizards (2026)

Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.

A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.

Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

This coming-of-age movie based on the 1970 book by Judy Blume gives viewers a scope on female topics in the quest for a religious identity.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.