32-year-old Siheon, a delivery worker at Eurwangni Beach, is soon to be a college student. One day, as he is congratulated by the aunties at the restaurant, a Japanese man approaches and informs him his mother is dead. 30-year-old Ryota is the son of Siheon’s mother who left young Siheon and have a new family of her own in Japan. The brothers who met for the first time and Siheon’s friend Yejin head to Siheon’s old house in Chinatown where his mother’s trinkets are buried.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
