"Completed shortly after Morning, Wait is a vivid depiction of the cinematic process of recording images on film. From frame to frame……. this work offers a sense of film emulsion coming to life, and responding to the forces of light. In addition shifting camera positions, panning, tilting, using the zoom, framing and focusing are all part of the work. A sculpturing of a space from frame to frame on a surface where there is no space. The title, Wait .... is asking the viewer to forgo our conditioned focus on the photographic image as a representation of a life situation, and instead, focus on the visual kinetic here and now. Physical therapy for the eyes, and delight for the senses." – Ernie Gehr
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
Do not trust Rotten Tomatoes. That is what I learned after watching Eternals. Critics currently rate it a 48%, but it's an amazing character-focused Marvel movie with positive diverse representation.
