Wednesday Addams
The iconic title character stars in her own horror and gothic TV series.

My club decided to hold a drinking party at my house. I knew I was being used, but among the people who had gathered was Himari, who I had a crush on. I was hoping that with the alcohol, I might have a chance... but... The horny guys, hoping to get Himari drunk, stripped her naked in front of me... Her big breasts, which were not visible through her clothes, were exposed. The horny guys escalated things and it turned into a gangbang party, shoving their dicks into her one after another. I didn't have the courage to join in, so I just watched Himari climax in a daze and got an erection...
The iconic title character stars in her own horror and gothic TV series.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
This surprisingly clever romantic comedy perfectly balances genuine heart with wild reality television chaos. It is an uplifting and funny reminder that second chances and real community can show up exactly when you stop looking for them.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.