Astronauts crash-land on Venus and find themselves in trouble when they kill a monster that is worshipped by a group of Venusian women. Re-edited version of Soviet sci-fi Planet of Storms (1962) by Pavel Klushantsev, dubbed into English with additional scenes.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
"Warrior" is a Bruce Lee written and inspired story that follows a diverse cast of Chinese American characters and does a terrific job of setting the story in 1878 San Francisco - all without pulling their punches with the systemic racism, discrimination, and struggle for power that old and young immigrants that crossed the country at that time had to go through.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
