Marvel's Eternals: Why It Was a Good Idea... But The Execution Was Not.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.

Set against the backdrop of war-torn Ukraine, “VONA” a feature length documentary, exposes a jarring reality: nature has become a new battleground. With meticulous strategy, Russian forces exploit AIR, WATER, SOIL and RADIATION. Weaponizing these elements to wreak havoc. The film delves into four distinct lives, weaving a narrative that unveils the perilous fight for our planet’s future. Through the lens of the Russian-Ukrainian conflict, “VONA” unearths the ecological toll of war while offering a ray of hope, spotlighting pathways to mend our wounded Earth.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.