Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

A street-busking Pierrot clown dreams of fame, but finds the place she's calling home less than supportive.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.