The 'Bigfoot Family' is Back in Town
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.

Midnight sharp. Two radio journalissts host a dull cultural program. Lights are switched off. A gang of women invades the studio to broadcast a message: “One, two... One, two... This is a coup!” Venus Retrograde explores an erotic, queer coup d’etat through a campy aesthetic and futuristic themes.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Middle school best friends reunite in middle age - Magalie is a chaotic free spirit “freeloader”, Blandine is a divorcée “sourpuss” with severe depression. The Palm Beach Film Festival opening night was glamorous for “Two Tickets to Greece”, the first screening of the French film in the United States.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.