'Kobra Auto Retrato'
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.

When Bob Stokes, a wealthy New York clubman, loses his fortune, he is jilted by his fiancée Marcia Fontaine. He then wanders to an upstate lumber camp where he impresses the owner, Henry Willard, with his leadership and fighting abilities. After Stokes quells a strike engineered by the previous foreman, Robert Brummon, who is really a Bolshevik agitator, to prevent shipments of lumber for government contracts, Brummon, seeking revenge, sets the forest on fire, but Stokes controls it. Willard then sends for Stokes to oversee his New York shipyards where a government "mystery ship" is under construction. After Stokes and Willard's daughter Helen fall in love, Brummon gets Marcia to attempt to seduce Stokes. Marcia lures Stokes to her apartment, where Brummon plans to kill him, but he escapes when he learns that a time bomb is set to destroy the ship.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
A simple question often sparks intense debate. Incluvie attempts a working definition for the beloved horror genre.