Trevor: The Musical About Finding One's Identity
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.

Dr. Andres, an expert in the field of parapsychology, meets Merz, a medium in his mid-40s who claims to be able to make images of his thoughts visible on a television screen. However, Merz needs stimulation from alcohol and women to bring out his abilities. This fact makes scientific research almost impossible. Andres soon succumbs to Merz's fascination. Paranormal images from the past and future also change his relationship with the young photographer, May. When May's intimate secrets appear in Merz's paranormal images, the situation escalates. Andres and May fall completely under Merz's spell. Not even Merz's suicide can free them from it. That same night, Merz's ghostly figure appears on Andres’s television and begins to speak.
This coming-of-age musical features a strong representation of LGBTQ+ individuals coming-of-age.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.