Three friends navigate mid-life crises: a blocked writer, a disillusioned doctor, and a charming man facing bankruptcy and divorce. As their struggles strain friendships, a younger man captures the attention of one friend's wife, complicating their lives further.
Claude Sautet
Director
Yves Montand
Vincent, entrepreneur
Michel Piccoli
François, médecin
Serge Reggiani
Paul, écrivain, journaliste
Gérard Depardieu
Jean Lavallée, ami de Vincent
Umberto Orsini
Jacques
Stéphane Audran
Catherine, l'ex-femme de Vincent
Antonella Lualdi
Julia, la femme de Paul
Marie Dubois
Lucie, la femme de François
Catherine Allégret
Colette, la petite amie de Jean
Ludmila Mikaël
Marie, la jeune petite amie de Vincent
Pierre Maguelon
Farina
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
A homeless girl faces depression and uncertainty during the holidays.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.