Flusser presents here theories that focus on the believability of the electronic image, the role of religion and memory, as well as the new language systems and apparatus of the digital avant-garde era. — Television Image and Political Space in the Light of the Romanian Revolution (Lecture, Budapest, the 7th of April, 1990) — On technical images, chance, consciousness and the individual (Interview by Miklós Peternák in München, the 17th of October 1991) — On religion, memory and synthetic image (Interview by László Beke and Miklós Peternák in Budapest, the 7th of April 1990) — On writing, complexity and the technical revolutions (Interview by Miklós Peternák in Osnabrück, European Media Art Festival, September 1988)
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
This showcase of Hollywood’s finest talent will certainly be around come awards season, and much deserved
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.
