20 years after "Mi vida dentro," filmmaker Lucía Gajá revisits Rosa Estela Olvera Jiménez's case, a Mexican migrant accused of killing a minor. The sequel shows how her family and social groups helped restore her unjustly taken freedom.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
