‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.

A happy New Year's Eve, the capitone, the little girl who is a little curious about it and a little scared, the fireworks in the sky of Naples, the kisses of the new year. Suddenly, however, that same house appears different, it is empty and silent, while the director's hands seem to search for traces of something that has perhaps already become a memory. Via Campegna 58 was the author's parents' home, where she grew up, was a daughter and then a mother. Upon his father's death he must empty it, and in lingering in every corner, as if to thoroughly scrutinize the smallest details, it is as if he wanted to take that past life with him, enclosed in the objects, in the useless things that every house accumulates, among the pens , the paintings, the clothes hanging neatly in the wardrobes, the black and white photographs of the young, beautiful, happy parents.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
Overall this movie was an easy watch, but by no means a worthwhile watch.
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