
A happy New Year's Eve, the capitone, the little girl who is a little curious about it and a little scared, the fireworks in the sky of Naples, the kisses of the new year. Suddenly, however, that same house appears different, it is empty and silent, while the director's hands seem to search for traces of something that has perhaps already become a memory. Via Campegna 58 was the author's parents' home, where she grew up, was a daughter and then a mother. Upon his father's death he must empty it, and in lingering in every corner, as if to thoroughly scrutinize the smallest details, it is as if he wanted to take that past life with him, enclosed in the objects, in the useless things that every house accumulates, among the pens , the paintings, the clothes hanging neatly in the wardrobes, the black and white photographs of the young, beautiful, happy parents.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)