Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Vi som går stjernevejen poster

Vi som går stjernevejen 

Lis Holst desperately wants to become an actress. After failing an audition at a theater, she decides to resort to other, more drastic measures. When the director and the theater's writer go to the countryside, Lis goes with them. There, she performs a masterpiece of disguise. When the truth dawns on the theater director and the writer, they decide to take advantage of Lis, as the theater's prima donna has taken up residence. Lis is promised a leading role in the next performance, but then the prima donna recovers and wants her role back.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Lis Holst desperately wants to become an actress. After failing an audition at a theater, she decides to resort to other, more drastic measures. When the director and the theater's writer go to the countryside, Lis goes with them. There, she performs a masterpiece of disguise. When the truth dawns on the theater director and the writer, they decide to take advantage of Lis, as the theater's prima donna has taken up residence. Lis is promised a leading role in the next performance, but then the prima donna recovers and wants her role back.

Rating:
Genre:Comedy
Directed By:Johan Jacobsen
Written By:Knud Poulsen
In Theaters:
Box Office:

Runtime:90 minutes
Studio:Palladium

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik