Dug is the Real Hero of Disney/Pixar’s “Up”
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.

Maler Pratt, an artist, refuses to sell his paintings as he thinks that they still need improvement before being publicly exhibited, but his wife Monika thinks differently and sells them because she thinks they are good...and they need the money. As he only signs an "M" on his work, Monika has no difficulty in claiming she is "M", but problems arrive when she is commissioned to do a large mural and Maler refuses to help her out. However, his creative spirit gets the best of him and he does the mural which is widely acclaimed to be a great work of art. Felder , an art dealer, is not overly pleased with this turn of events as he has been pleading with Monika to divorce her shiftless husband and marry him.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.