Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Luigi Tagrana, a hopeless social outcast living on the industrial outskirts of northern Italy, scrapes together a meager living by gathering worms to sell as bait. His days are spent in a bleak, repetitive cycle of labor and solitude amidst a decaying landscape, moving in and out of hospitals and prisons where he is treated as a number rather than a person.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
A young girl named Hailey Mays sings a country song that is named after the film's title.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.