
Obsessed with sex and death, a man is haunted by visions of beautiful women and brutal violence. He begins an odyssey into a world which, in his mind, transforms into an array of sexual fantasies and images of horrible accidents, suicide and murder. Like a bird of prey, he seeks out fatal automobile crashes and an assortment of other tragedies, which he records on film with a movie camera to view repeatedly, over and over. His dreams are a twisted amalgam of violent images juxtaposed with the tenderness of lovemaking. Overwhelmed by such fantasies, he soon becomes unable to distinguish reality from fantasy. He seeks to rid himself of these disturbing thoughts through love and by understanding the true nature of man. Instead, his emotional state falters, becoming more attuned with the notion of self-destruction. Morality becomes only a literary flourish, and dreams, now prophetic nightmares, the harbingers of complete and utter annihilation.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.