
In the slums of Chennai, Karthik, a young engineering student, falls in love with Revathy, his childhood friend. However, their lives are entangled with the dark underbelly of the city, where Karthik's father, Jyothi, a drunkard and drug peddler, has abandoned them. Karthik's friend Vishnu, who owns a mechanic shop, gets embroiled in Jyothi's illegal dealings, leading to a chain of events that puts their lives in danger. As Karthik and Revathy navigate their love amidst the chaos, they must confront the harsh realities of their world, including crime, betrayal, and loss. Ultimately, Karthik must make a choice between his love for Revathy and his need for revenge against his father, who is responsible for the death of his friend Vishnu.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
'Ganja & Hess' is a 1973 experimental horror film, written and directed by the visionary auteur Bill Gunn. It was meant to be a straightforward blaxploitation film – but director Gunn had grander ambitions.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.