There is a lot of excitement in the high society of Venice: An Arab prince, who always travels incognito, is said to be in the city. By chance, the elegant Isabella gets to know the handsome heir to the throne - and it does not take long for her to fall madly in love with him. Isabella has no idea that her dream man is really the impostor Gérard, who looks remarkably like the prince and was hounded by the sleazy crook Alfredo on Isabella to steal their precious jewelry.
Alberto Cavalcanti
Director
Martine Carol
Isabelle dos Santos
Vittorio De Sica
Alfredo
Philippe Nicaud
Gérard Chevalier
Claudia Cardinale
Angelica
Marthe Mercadier
Antoinette Sophronides
Jacques Sernas
Bob Lebel
Giacomo Furia
Stanislas dit Stan
Don Ziegler
Aristide Sophronides dit Soso
Brigitte Juslin
Barbara
Ivan Dominique
John
Tonino Lenza
Sebastiano
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
Eternals is an interesting concept and unique visuals, but slow pacing and rushed character development suggests it should have been a mini-series.