Veinticuatro horas de vida 

A man found himself stuck inside the passage to the subway exit on the way to work.

Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.

The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.

The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.