Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Vaterland poster

Vaterland 

In Saxon-Anhalt, near the town of Zerbst, set away from busy roads, next to a deserted military landing strip, is the village of Straguth. An unimportant place. Lost in time. Or ahead of time. The film describes the people of this quiet place, in the past, the present and the future. A film like the digging of a hole. If one could dig in spiral form. And dig a black hole. An archaeological journey to landscape, people and things, traces of changing times and transition. Wide open landscapes and detailed drawings of people within. And on entering Otto Nathos’ modest bar, there is always talk of the war. The era of youth.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In Saxon-Anhalt, near the town of Zerbst, set away from busy roads, next to a deserted military landing strip, is the village of Straguth. An unimportant place. Lost in time. Or ahead of time. The film describes the people of this quiet place, in the past, the present and the future. A film like the digging of a hole. If one could dig in spiral form. And dig a black hole. An archaeological journey to landscape, people and things, traces of changing times and transition. Wide open landscapes and detailed drawings of people within. And on entering Otto Nathos’ modest bar, there is always talk of the war. The era of youth.

Rating:
Genre:Documentary
Directed By:Thomas Heise
Written By:Thomas Heise
In Theaters:
Box Office:

Runtime:98 minutes
Studio:

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso