In an effort to find an economic means of purifying salt water, a joint U.S.-Japanese military command is set up on an isolated Japanese island where an unusual salt water lake is situated. However, their purifying experiments arouse the prehistoric monster Obaki from hibernation at the lake's bottom, and it proceeds to attack Japan. Although made by a U.S. independent film company, this film was based on a Japanese Toho monster film of 1958, "Daikaiju Varan", from which all of the monster effects scenes and a few incidental dramatic shots were edited into it.
Jerry A. Baerwitz, Ishirō Honda
Director
Myron Healey
Cmdr. James Bradley
Tsuruko Kobayashi
Anna
Clifford Kawada
Capt. Kishi
Derick Shimatsu
Matsu, the boy
Koreya Senda
Dr. Sugimoto
Kōzō Nomura
Paul Isoh
Ayumi Sonoda
Shidori Isoh
Fumito Matsuo
Paul's Friend
Akihiko Hirata
Dr. Fujimora
Fuyuki Murakami
Dr. Majima
Yoshio Tsuchiya
Military Officer Katsumoto
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.