Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A sixteen year old vampire reconsiders her past relationships.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
April, a professional dancer, reluctantly trains a group of girls at a dance school for the dance competition.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
Explore the tension between director intention and viewer interpretation in this review of the excellent sci-fi horror of 'No One Will Save You.'