In the early 1990s, this city of desire, once a land of opportunity, was plagued by rampant crime and a breakdown of order. Man Tsz-keung, a working-class man desperate to change his fate, meets flight attendant Lok Ka-yuen, and the two team up to rob a large sum of money. This success fuels Man Tsz-keung's madness, pushing him into a deeper power struggle with wealthy businessman Chan Fai-yin. Meanwhile, mainland police officer Qi Honggang and Hong Kong police officer Guan Suchen continue their investigation of Wan Ziqiang, leading to a joint operation between the two police forces, setting the stage for a clash between good and evil. This film is fictional.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.
Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
