Is She The Suitcase Killer?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.

Superstar Manoranjan learns that he has only a few days to live and approaches his mentor, director Margadarisi to direct his next project — a folklore-ish comedy about a man who keeps cheating death and his role in saving a kingdom. Meanwhile, he has to sort out his personal lives, which involves an estranged son and a daughter from the love of his life.
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Bigg County Restorations is a zany new pilot from comedians Joe Bell and Mikaela Watkins. In a spot-on parody of History Channel shows like American Restoration and Pawn Stars, Paul Bigg (John Jezior) works to restore kitschy decor for celebrities while his good-for-nothing adult children, Britney (Mikaela Watkins) and Junior (Joe Bell) go on wacky adventures while slacking off on the menial tasks they’ve been assigned. In the pilot, Britney and Mikaela’s day goes off the rails pretty fast.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
The multifaceted musical represents America in the 1960s and the battle against bigotry as an ensemble cast portrays how to fight for the limelight.
Two Korean sisters must save their family after a ghost tears the family apart.
It’s hard to capture the emotions and thoughts of a character just from a few shots, but Oscar-nominee composer Micachu's haunting melodies prove otherwise in 'Jackie'.