"Apex" Captures the Primal Fear of Being a Woman
Given a choice between a man and a mountain, it’s safer to choose the mountain.

With each day feeling hopeless and bleak, Kang-jin's life takes a dramatic turn when he stumbles upon a lost envelope of money belonging to Rang. Using this newfound wealth, he takes a stand against Nam-young's girlfriend Da-young. But when Nam-young discovers Kang-jin's actions, he strikes back by stealing his money and issuing dangerous threats. With nowhere to turn, Kang-jin confides in Rang, who reveals a secret knowledge of the debt-collecting world. Together, they embark on a thrilling journey of power and control, as Kang-jin takes his first steps into the world of loan sharks.
Given a choice between a man and a mountain, it’s safer to choose the mountain.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
One thing’s for certain: Holmes has star power. We may not be able to see everything, but we’re certainly all watching.