Entitlement and the Food Industry in 'The Menu'
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.

USA + USSR = USSA. My film is about blurred boundaries, probably due to my own personal history. I was born in New York, to Russian and Czech parents, raised in Brazil and educated in France. As a result, the film is a cultural cocktail shot on super 8 in New York, Berlin, Milan and Paris.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
This movie will always resonate with queer people, for as long as queer people exist.
This is a Spanish-speaking short film that contains English subtitles. The short film is produced in the United States.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.