Upohar 

The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.

An artistic approach to the impact of Billie Holiday’s “Strange Fruit”.

Disney+'s The Falcon and the Winter Soldier is over, but that doesn’t mean discussion about it has stopped. One of the most controversial characters on the show that’s still stirring up discourse is John Walker. Many have debated his morality online: Is he a hero, a villain, an anti-hero?

What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.