Until The End of Time 

In My Octopus Teacher, documentary filmmaker Craig Foster models healthy masculinity by showing us a trusting, gentle, and emotionally fulfilling bond with an octopus.

I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.

The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.

Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.