Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Unseen Forces poster

Unseen Forces (1920)

In the film, Breamer’s character, Miriam Holt (“the girl who sees around corners”), proves her psychic powers by locating children who went missing during the war. Her childhood love Clyde Brunton (Conrad Nagel) is unhappily married to a social climber, but Miriam’s ability to commune with the spirits of the dead (“those we love are always with us”) finds a way to resolve the problem.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In the film, Breamer’s character, Miriam Holt (“the girl who sees around corners”), proves her psychic powers by locating children who went missing during the war. Her childhood love Clyde Brunton (Conrad Nagel) is unhappily married to a social climber, but Miriam’s ability to commune with the spirits of the dead (“those we love are always with us”) finds a way to resolve the problem.

Rating:
Genre:Drama
Directed By:Sidney Franklin
Written By:Bennett Cohen
In Theaters:11/29/1920
Box Office:

Runtime:66 minutes
Studio:Mayflower Photoplay Company

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso