'Priscilla' (2023)
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.

In the film, Breamer’s character, Miriam Holt (“the girl who sees around corners”), proves her psychic powers by locating children who went missing during the war. Her childhood love Clyde Brunton (Conrad Nagel) is unhappily married to a social climber, but Miriam’s ability to commune with the spirits of the dead (“those we love are always with us”) finds a way to resolve the problem.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.