The Lovebirds: It Doesn't Soar, But It Glides
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.

Silvia belongs to a respectable family, the wife of a jeweler in Turin, but charming woman bored by marriage. One night she is alone at home and unwisely opens the door to a stranger trying to rob her and eventually decides to rape her. The police and her husband try to convince Silvia not complain, but she starts looking for the man who raped her for revenge. When he finds, however, is attracted by humiliation and violence suffered and she becomes his lover with anything.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.