Flore and Philippe have been together for two years. For Flore, love is a total commitment. A film that speaks about love, bonding, and personal development. Throughout the film, the characters, a little offbeat and with emotional baggage, seek to understand each other and try with difficulty to communicate. Flore, with all her tenderness, her anger, and her constant need to talk. Philippe, the one who needs silence. Julien, the one who is never there. Anna, the one who won’t settle down.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
A summary of the films featured in this annual event taking place in Westchester.
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
