Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

The first time Chris Evert and Martina Navratilova stepped onto a tennis court together, the world scarcely noticed. Only a few hundred spectators saw the pert 18-year-old beat the scrappy 16-year-old Czech in 1973. “I remember that she was fat,” Evert recalled. “She was very emotional on the court, whining if she didn't feel she was playing well. But I remember thinking, if she loses weight, we’re all in trouble.” Said Navratilova, “My goal was for her to remember my name.” Eighty matches later – amid the extraordinary growth of women’s tennis – Evert not only remembered, but became a tried and true friend and confidante, remarkable considering the two appeared to be polar opposites in upbringing, life styles and personal relationships. Through a series of personal conversations, this documentary will tell the story of one of the greatest one-on-one sports rivalries and capture these two extraordinary athletes’ views on tennis and an ever-changing world.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
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