Russian life in 1917 was not limited to civil confrontations, shootouts, demonstrations and rallies. Many people lived, or at least tried to live peacefully and constructively. The great Fyodor Shalyapin sang and staged opera performances in Moscow and Petrograd; director Vsevolod Meyerhold played the Lermontov Masquerade on the stage of the Alexandrinsky Theater, and Anna Akhmatova and Sergey Eisenstein applauded him. The future writer Konstantin Paustovsky eagerly absorbed impressions about the life of summer and autumn Moscow. And in the Moscow region estate Lopasnya-Zachatievskoe a happy accident led to the discovery of the longest manuscript by A.S. Pushkin, who was considered lost. The film is built on cinema and photo chronicles of a century ago.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
The makings of a great midseason filler episode that would connect in many different directions. This is a police drama filler with a guest director.
