Himuro (Yasukaze Motomiya), assistant Wakagashira of Kyowakai, joins Tamura (Yoshiyuki Yamaguchi) and other Kyowakai executives to track down Fukumoto, chairman of the West Japan Mutsumikai, the mastermind behind the assassination plot against Kudo (Hakuryu), Kyowakai’s chairman. Himuro and his men infiltrate the meeting site, preparing to eliminate Fukumoto—but Yashiro, head of the Yashiro-gumi, pretends to cooperate while secretly leaking information to the Kudo-gumi. Seizing the opportunity, Zaizen, assistant Wakagashira of the Kudo-gumi, makes his move—not against Fukumoto, but against Himuro himself. Meanwhile, Kawatani, Kyowakai’s Wakagashira, is delivered a shocking revelation by Kudo.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
American Fiction is a genuinely entertaining film with a few lessons.
In Tall Girl, Jodi learns to stand tall and find confidence within.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
